The Ethos Of Art Nouveau Across The Arts And Architecture

The Ethos of Art Nouveau across the Arts and Architecture. Art Nouveau – ‘A style of art and architecture of the 1890s, characterised by the swelling sinuous outlines and stylized natural forms, such as flowers and leaves.’ (The definition of art nouveau) The name derives from ‘Maison de ‘Art Nouveau’, an interior design gallery in Paris in 1896 however the movement had multiple names throughout Europe, such as ‘Jgendstil’ in Germany; in Italy Stile Liberty or Floreale ; in Spain Modernista , in Austria Sezessionstil and in France and England the term Modern Style was often used, highlighting the English roots of the movement. The Art Nouveau style doesn’t specifically come from just European history, but also involves a combination of intricate, oriental and classical elements, wanting to create a contrast from traditional forms. The movement was applied across all the arts, including interior and furniture design, illustration, fine art and architecture and was characterise d with graceful, asymmetrical lines inspired from natural and organic forms, including striking and powerful imagery which is now immediately recognisable and widely appreciated as a form of artistic style. The style includes geometrical and more abstract patterns and rhythms. The components of this style said that all art should be available, equal and appreciated by everyone: Art for art s sake. There are wide variations used in this style depending on where it appeared and theShow MoreRelatedMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesthe society he writes in and for, and which is neither literary idiom nor literary style. Within any literary form there is a general choice of tone, of ethos . . . and there is precisely where the writer shows himself clearly as an individual because this is where he commits himself (p. 19). Thus, writing is the tone, delivery, purpose, ethos and naturalness of a writer s expression (p. 21); it is essentially the morality of form, the choice of that social area within which the writer elects